In Dutch

For years, I have been following the Chanel fashionhouse. I read every book about Chanel or Chanel couture and I even create the famous Chanel jackets myself,  according to the strict rules of Haute couture (and my beloved Claire Schaeffer). My quilty pleasure ... in capitals!

But now, a new book. A real treasure! You can hardly give a bigger gift to a Chanel-fan like me. Figuratively but also literally. Because it is a big book. A beautiful coffee table book with a striking light blue front and a very appealing content. But different than the others, because it stands out among all the glossy Chanel books, which have been on the coffee table for some time.

The making of a Collection
The book is richly illustrated by Jean-Philipe Delhomee. No illustrations as a side issue, but drawings that are at least 3 to 1 in relation to the text. No photo in this book, not even on the inside flaps of the cover and back page. The illustrations are beautiful, cheerful and very modern. The text of Laetitia Cénac is easy to follow in English for people our Dutch readers. Pleasant letter font, written well and clearly arranged.

Who are the makers of a couture collection?
Apart from all information about the Fashion House Chanel, about Gabrielle Chanel, history and even a list of important dates (pages 234-238), the book is mainly about WHO makes Haute-couture. Every step, from the process of idea (even an interview with Karl Lagerfeld) till the catwalk. The book is mainly about people who all do their work, which contributes to the beautiful couture collections of Chanel.

The first pages are devoted to a fashion show. Before the first model with a beautiful Chanel jacket arrives on the catwalk, a lot has happened. Many people are already involved, who are an important part, but you have never thought about it for a second. Illustrations of the sound designer, the make-up artists, the fitting and dressing team, the stage manager etc. Presenting a collection is not a one-man show of a designer, but a well-oiled machine in which many people play a (big)role.

The book elaborates on this. Back to the very beginning; from fabric to Haute couture. Every part of the collection and the entire making process is discussed, from bags, shoes, gloves, hats, jewelry to fabrics, yarn and threads. There are many pages dedicated to how the materials are made, how choices are made and where and who supplies this material.
An ode to many people, to them all. To all people behind the products, to all people who cooperate or who are important suppliers of the basis for the Chanel collection.

From now on I look at the Chanel collections with even more interest. A superficial world? Opinions are divided on this. The fact is that it is a whole industry and that more people are involved than you might think.

A lot of glitter and glamor in this book, but strikingly enough, the emphasis is more on the entire creative process than on all the lavish luxury, the big money and the inaccessibility of Haute couture for ordinary people. This is mainly due to the modern, joy full drawings and the design of the book. Very well done, because in these times the environmental, climate and economic problems are too big to admit the money smelter of the upper class.

This book is an eye-opener that very cleverly emphasizes the old crafts, manual labor and all the people behind the scenes who do the work.

(Let's just hope that all these production processes will also be carried out in an environmentally friendly way and that they will be able to maintain themselves in the coming years. So that we can continue to enjoy the Chanel Haute couture)

At least I have enough inspiration to climb behind the sewing machine ... if I manage to put this book aside for a while.

As a seamstress you might wonder WHY you need an overlocker and WHICH overlocker.
We will answer loud and clear and help you to decide which overlocker works for you.

An overlocker: yes, but why?
First of all: it is not a sewingmachine. A (good!) sewing machine can do almost anything, but an overlocker is a the dessert after a delicious meal. The finishing touch, the whipped cream on the cake, the golden thread that makes your sewing work so professional finished. Do we know more metaphors? Probably, but let's stick to the (sewing) lesson.

For example, an overlocker can sew elastic materials together and finish with a 3 or 4 thread-stitches without any difficulty. For example: these stitches at the end of a t-shirt. Turn your t-shirt or sweater inside out and take a look down. So now you know why! Even the best seamstress in the world can't get it done with a sewing machine. An overlocker sews and CUTS the fabric at the same time.
So put those zigzag scissors away and from now on finish your own clothing with an overlocker. The result will be the difference between: "Nice jacket, mmm ... homemade?" And "Wowwwww, such a nice jacket. You are kidding me, did you make it really yourself ???”

In addition, an overlocker also creates decorative seams, even threads beads or pearls on the fabric and is able to do a lot more magical tricks.
And imagine you are working with a sewing machine to deal with a huge piece of fabric that should become a curtain: an overlocker would turn the big job into a piece of cake.

But we won’t tell anyone, because you have just saved a huge amount of money by making your own curtains...

Why do you need a lock machine?
That's why. For all those things that an overlocker does and a sewing machine does not. Or maybe the sewing machine is able to the job but you need special feet. And above all: an overlocker is cutting and sewing at the same time.
Now don't dump your sewing machine straight to the thrift store because with an overlocker in addition to a sewing machine, you create beautiful sewingwork and it definitely looks more professional.

Which overlocker do you need?
Overlockers are for sale in different price ranges.
The cheapest is around 200-300 euros and the most expensive are around 1000 euros.
The difference between the cheaper variants and the expensive ones is often in the fact that an expensive overlocker has an air pump threading system.
The threads are blown through the machine, on the way to the end at the needles. This is especially easy for people who are less handy or who don't have the patience to manage the threading themselves.

The expensive overlockers often have more options in terms of stitches and some options are automatically. The same as with a sewing machines. The more expensive the sewing machine, the more options and possibilities.

Professional results
Often the remark "Did you make it yourself..." does not feel like a compliment. Somehow people are noticing the difference between self-made clothes and the stuff you buy in a store. But as soon as you start working with an overlocker, you will no longer hear these words. Why not? Because your sewing work is now so precisely finished; it looks very professional!

Let’s start adding beautiful labels with your own name or "self-made" on the clothes, because from now on, nobody believes it anymore. With an overlocker: your sewing work looks like Haute Couture Yourself.
And "Oh wow, did you really make it yourself???" becomes a very big compliment! And you will answer very proudly: "YESSsss!"

MORE INFO:
The best buy: Overlocker Lewenstein 700DE

We made the jacket from light green summer bouclé. The Bouclé fabric was light and not too loose. This Bouclé offers the possibility to easily make the fringes.

Note: make the fringes from a double row of fabric. This gives a nicer effect and thus the fringes are easier to see. Use an overlocker to make a nice flat edge that you can easily sew onto the jacket. Or rather: between the different pattern pieces.

The Chanel-style jacket has a classic look and is easy to combine with any kind of outfit. Green is not really a popular color, but it is certainly special, especially if you are looking for Bouclé fabrics in green tones. Everything about the color green & Chanel! Moreover, green is very easy to combine with jeans for a casual look, but also with black and white for a chic or business outfit.

Pros:

• The sewing pattern is timeless and completely in the spirit of Coco Chanel by Claire Schaeffer
• The jacket is comfortable but also chic
• Lots of Chanel details!
• Especially the fringes!

Cons:

• The jacket is not fitted but loose-fitting. Make sure you take the right size, otherwise the jacket will soon be a bit too 'square'. Or make a sample of mouselline first anyway; then you can better assess the shape and adjust it if necessary.
  
• The top sleeves are very narrow. Take this into account or adjust it.
  
• There is a lot of hand sewing involved and the whole sewing project is really a project that will take you a long time.
  
• Do you have a deadline? Start well in advance or choose a different sewing pattern first.
  

About the Author:
Elena Tran is a Canadian dressmaker and an entrepreneur passionate about haute couture sewing using
beautiful fabrics and notions. After her career as a college administrator and mathematics professor, she
pursued her interest in sewing and opened an online luxury fabric store baudekinstudio.ca. She is
constantly learning and improving her craft. Her training includes lessons with the legendary couture
instructor Angelina di Bello (Montreal, Canada), dressmaking program at Mohawk College (Hamilton,
Canada) and online needlework courses at the Royal School of Needlework (London, UK).

A crinoline is a kind of underskirt construction that allows a skirt to be worn wide, very wide and extremely wide. In the 19th century, they were an important part of everyday clothing.
Today they are made for costumes for movies, musicals and events such as the Fantasy Fair. However, for Cosplay, they are becoming increasingly popular. And don't forget the Gothic and Steampunk!

A bit of history
The garment was mainly worn by women between circa 1850-1870. Crinolines were used to give the shape of the clothes an increasingly wider ('more feminine') bell shape. The cage construction was made of smooth steel hoops that hung down from the waist and held by ribbons. The 'crinoline cage' turned out to be much lighter than wearing multiple layers of underskirts, as was previously used.

The crinoline allowed an excess of fabric for the top skirt. The skirts took on increasing proportions. Meters of fabric decorated with ribbons, flowers and strips radiated luxury, fashion and wealth. Sometimes a skirt contained more than 40 meters of fabric and a huge amount of additives. The hours it took to make such a skirt were countless and priceless. The latter were mainly for the nobility and upper class. 

Social Distance
Prints and drawings from the period show that the wearers of skirts with crinolines underneath could get (and possibly appreciate) the necessary space. The skirts created so much distance that women could barely speak to each other and men could not even touch the women. There is a print depicting a man offering the wearer of a skirt with crinoline a drink on an extended tray. The crinolines thus caused 'social distancing', the word that has become a well-known word in our century, a few months ago.

However, the crinoline was also worn by women of the lower class and later even by every woman. It became a normal street scene despite the skirt making it almost impossible for women to move normally. The skirts took up a lot of space and caused problems on the street, in the church and indoors.

In the 19th century, the crinoline slowly disappeared into the background and the shape of women's clothing became narrower and tighter at the waist.

In the 1930s, courtiers attempted to reintroduce the crinoline. However, this failed. In Haute couture, crinolines are only seen under evening dresses, wedding dresses and costume films.

Cosplay, Steampunk & Gothic
In the Cosplay world we see the crinoline mainly as an underskirt for Japanese Animé. Ikoku Meiro no Croisée - 06 - Lost in Anime is a well-known example and Umi Sonoda sometimes wears short and sometimes wide blue skirts with a crinoline underneath.

In Steampunk, the crinoline is often not intended as an underskirt, but the skirt becomes an over skirt. The construction is often very tough with leather straps and heavier steel hoops. Usually the skirt is medium long. The colors are black, brown or red. The crinoline is often combined with a tight-fitting waist corset so that the shapes come from full (shoulders) to narrow (waist) and super wide (the skirt).

A Gothic crinoline is often long, down to the ground, always black or red, and is worn more like an underskirt. This is covered by a long shiny black skirt of a lot of fabric or tulle worn with a corset and the outfit is mainly finished with lots of lace, ribbons, bows and fringes. The Gothic appearance is mysterious, often showing 'the evil witch', 'the darkness' or 'lady evil'. The emphasis is on: black, blacker, black.

How do you make a crinoline cage?
You can make a crinoline cage yourself, but you will not be able to do it in one day. It takes a lot of time to find the materials together, to assemble the lines and the pipes through them. If you want to make a crinoline for an event, start at least three weeks in advance. Then you have plenty of time and you can also perfect the crinoline with decorations beautifully matched to the costume.

Step 1: Choose the materials
Get the PVC pipes depending on the sizes and the number of tubes you want to use. Cut them into four parts to be bent and joined together. Allow for a few centimetres for the spacers. Label each spacer so you know which hoop they belong to. This will make later construction much easier.

In terms of fabric, it is best to choose a firm fabric but not too thick. For a Victorian crinoline, unbleached cotton would be very suitable. For a Gothic or Steampunk crinoline, we would recommend a black textured fabric.

Step 2: Start with a waistband
Make a waistband a bit more spacious and adjustable. Leave the bottom part of the waistband partially open so that you can sew the straps in here.

You can also choose to make a waistband from thicker elastic or from an existing belt.

For a fabric waistband, attach eight straps that are the length from the waist to the ground (or the desired height) plus 6 x (the number of tubes) x 7 cm. You need this extra space to make the loops. The width of your crinoline is up to you. The thinner the more graceful. The wider, the more robust.

Step 3: Attach the hoops
Coat the PVC pipes you precut earlier with fabric or use them as they are. Then slide the tubes through the fabric loops you made and attach the spacers to close the hoops. This is a difficult job where you can use an extra pair of hands. If you want to see the tubes but want a different colour, you could also paint spray the tubes or wrap them with tape.

Step 4: Cover the top and the bottom of the crinoline
Finally, make the bottom of an extra band of fabric (30 cm high) and possibly a skirt over the waistband. You can only sew the extra edge of the fabric with the two hoops (tubes) through it. It is an impossible job to put the total crinoline on a table and use the sewing machine for this.

The crinoline is portable because it is foldable. You can also easily store the crinoline as it can be placed upright against the wall.
You can make a crinoline yourself. It is a sewing project that everyone can complete in their own way. Viewing a few YouTube videos in advance is a good plan. This allows you to see which method you like best. If you don’t have strong sewing skills, you can also purchase a sewing pattern which includes detailed sewing instructions.