This blog is not about a review of a sewing pattern for a Chanel-Style jacket, but this review is about a pattern for a classic, long coat. The Burda 6462! A great pattern for a timeless fashion item. Burda 6462 The Burda sewing pattern is a loose-fitting, lined coat. The top collar offers two variations, for example, fur, fleece or another contrasting fabric. There are also two variations in lengths: Model A. is a real classic long coat. Model B is a casual midi-length jacket. The jacket closes easily with three buttons and the model offers a variety of pockets: patch pockets or welt pockets. Sewing level: average The pattern is suitable for the average seamstress. We think the sewing pattern of the jacket is easy to sew, but the welt pockets are probably the reason an 'average sewing level' has been advised. The jacket has no pitfalls or difficulties. The jacket is intended for the fabrics: wool, loden or Bouclé. In terms of Bouclé fabric, we recommend: How to sew Bouclé fabrics. Working with thicker fabrics is a bit difficult and it does require precise work. Perhaps also for this reason that the sewing level is set to average. Pros:
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Burda 6462 is a beautiful and easy pattern for a classic long coat. The instructions are very comprehensive and clear. Note: with Burda patterns always cut 1.5 cm seam! The coat is ideal for making beautiful Tweeds and Bouclé fabrics. If you want to give it a Chanel style or Haute couture touch, make the jacket from Bouclé fabric and sew the lining to the outer fabric, as explained in Claire Schaeffer's sewing techniques. It will be a bit of a puzzle, especially at the collar, but for an advanced seamstress this is certainly possible. And make darts in the coat: 'shape' it to your own style! "Fashion is not an art, it is a job" Coco Chanel The lady-boss of the House of Chanel: Did you know that Coco Chanel was not only very different from most designers, but that she also worked very differently? She did not design on paper and did not have a sketch book. Unlike her successor, Karl Lagerfeld, who designed ALWAYS on paper. When Coco Chanel started her fashion house, she actually had very little couture sewing techniques. She had taught herself almost everything herself and worked mainly from her feeling and instinct. She had a great sense of how fabrics could be draped around the female body. Nice lady or a demanding lady-boss? When she founded her Fashion House and became more and more successful she got assistants and employees. She passed on her instructions verbally and came across as compelling and very demanding. Her models were also not always happy with the job, they sometimes had to stand for hours until Mrs. Chanel was satisfied. (and she was not easy to please) Coco Chanel is often associated as an unkind woman who only went straight for her goal and used people to be successful. In the movie "Coco before Chanel", we learn a lot how Gabrielle started her career in the fashion world. She knows how to move up through stubbornness and opportunism. She knows how to enter the world of the chic ladies through a big (rich) friend. This friend later became her big sponsor and he owes her success largely. Time perspective But let's take a closer look at everything. Coco Chanel was a passionate woman who had a goal in mind. Her dream was unusual for the time. She did not want to get married and have children, but started a business and influence the world of the rich and the famous. There would be nothing wrong with that today. People would admire her and knows what it takes to work day and night at a goal in life. There were few women at the time who chose careers, who could take the opportunity to build this up and persisted at all. If Gabrielle had lived in our time, her 'character' might have looked or judged very different. Coco Chanel would have Social Media to create influence, she could probably found money or sponsors in other ways and maybe she would have been a great candidate for Dragons' Den. It is bad to be unkind, opportunistic and driven? Not at all. Coco Chanel got her success and she earned it by working hard and having creative and completely new ideas about Fashion, exactly in the right time when women needed something new and inspiring. Anyway, we wish Coco Chanel, still retroactively, its success. And whether she was unkind or not, she has created a Fashion label that still matters. Perhaps she would never have succeeded if she hadn't had her 'bitchy' qualities. Vintage sewing patterns are very popular. Not only because their value is high (especially when they are collector's items!) but mainly because many seamstresses also consider it as a sport to actually make clothes of the sewing patterns. They make the clothes to wear themselves or for Cosplay and LARP events. But there are some common problems and we have tips to avoid them. Vintage sewing patterns are more popular than ever If you make yours clothes yourself, you are aiming it does not show... Seamstresses prefer not to hear, "Selfmade?" when they should actually be proud of the fact they made the cloths themselves. But they are afraid that there is always an undertone in that comment like: "You can see that, it is just not good enough". Of course that is nonsense, because self-made cloths are often unique, beautifully tailored and much more sustainable. With vintage clothing, however, there is a different tenor. "Self-made" makes more sense and sounds like a compliment. Finally, vintage clothing is often striking because of the shapes and lines and therefore super feminine. If you have found the right size, or if you have done some pattern adjustments, the clothing is also nicely tailored. Cosplay and LARP Vintage sewing patterns are often very popular for Cosplay and LARP. Sewing patterns: 'Historical clothing' ánd Cosplay, but also all other retro- and vintage patterns. Because of the shapes in the vintage clothing, they are often nice to expand with corsets, crinolines underneath or to make mega dresses. But eventhough... you can run into problems while making vintage clothing ... Pay attention! The pitfalls of vintage sewing patterns: 1. The times when 'vintage' or 'reto' was reallife, there were no elastic or stretchable fabrics. The sewing patterns are therefore all based on fabrics such as: garbadine, chiffon, linen, lace, cotton, jacquard and wool. The clothing must therefore be properly tailored because the fabric will not help you to feel comfortable or make you look super-shaped like stretch fabrics do... Tip: don't make these patterns of elastic or stretchy fabrics. This can cause the pattern to be incorrect and give strange results. Choose fabrics which are recommended for the sewing pattern or the onces you like to both sew and wear. 2. In vintage patterns there are many darts and pleats. If you want to create a nice upper body or a nice waist, you can count on it that there will be a lot of darts in the pattern that will create the desired shape. With some fabrics this is difficult to achieve and it looks less beautiful than you had hoped. Tip: learn to work with darts and pleats and consider it as a challenge. Use a sewing mannequin (adjusted to your size) to pin the darts in and 'play' with it until it fits. Take your time so it doesn't become a frustration. Once you get the feeling for 'shaping', it's more fun than you thought it would be! 3. Most of the patterns that show over-exaggerate waistes, often illustrated on the cover of the sewingpattern. But remember in these times women were always wearing corsets under their outfits. Nature was given a helping hand to create the waist that most women can now only dream of ... Tip: Do you still want a (very) small waist to fit in the vintage dresses? Buy an elasticated waist corset, one that fits snugly but creates a little more waist. In the 'shapewear' section of underwear, you can often find pleasant waist shapers that you can wear comfortably without gasping for breath or torturing your body. A tight, shape shirt also works wonders and often not only fits comfortably, but also looks really nicer under tighter dresses or blouses. 4. Collars often have different or even strange shapes (see picture above). The ends of the collars are often sharper, longer or sometimes weirdly shaped. Or like the top photo, far right: floral. Sometimes this really fits into the overall picture. Sometimes they are over-the-top or make the clothes look old-fashioned instead of interesting. Tip: adjust the collars to your own ideas. Copy the bottom length of the collar from the pattern and the rest of the pattern with a pencil. You then have the basis. After this you can make the collar ends as long, as straight, as round or as short as you would like. 5. Finally, we would like to point out that vintage dresses are often midi length. Or blouses are just a little too long (these were often worn in the skirt, never loose / casual over it). The length of the midi dresses and skirts can look nice, but also old-fashioned or messy, or accentuate thick calves, for example. Tip: very simple: adjust the length. Do this as the very last action. Try on the dress for a mirror, or on the sewing mannequin and let someone else help you. Your own perspective from above often gives a different picture than a person who is further away and sees a better overall picture. The length of blouses is easier to adjust. If you like to wear a blouse loose, don't make it too long, this looks more sloppy than nice and casual. Advantages of vintage sewing patterns:
But there are also many advantages of vintage sewing patterns. As we have already mentioned: the sewing patterns are often ideal for Cosplay and LARP and often eye-catchers because of the beautiful shapes and special lines. Moreover, the fabrics that are used are also different than usual or have a nice 'retro print'. Another plus is that many patterns can be used as a 'normal pattern'. See above: The blouses are often classic, timeless and just super feminine. Especially on the left: the blue blouse would look great combined with jeans, and high heels or higher boots. Remember what Mary said about Downton Abbey clothing: "I really wanted to take the blouses home, I was totally hooked." Finally: the vintage sewing patterns are often ideal for indulging in buttons and beautiful trims. Just like our beloved Chanel style jacket! Be creative, indulge yourself and make it unique. Get rid of mass production, throwaway clothes. Create your own clothes with beautiful vintage sewing patterns! It is not a secret that Coco Chanel did not like 'prints'. At most a 'Breton stripe', but nothing more than that. According to Chanel, chic was mainly austerity in the design of the fabrics. Except for the tweeds and bouclé fabrics, these were luxurious and 'colorful' enough. Either you love it or you hate it Who likes prints? Most people love it. From tropical flowers to a 'tiger print', it can't be colorful enough. Especially in the summer we are crazy about to prints. It makes us happy and it looks great as a blouse or summer dress. But read Ines de la Fressange's books and one thing becomes very clear: prints are NOT DONE! According to her, you will not easily find a real Parissiéne dressed with 'a print'. The Parisian style is more about the monotonous colors, the creative combinations of trés-chic and elegance of the timeless classics. Chanel style jackets and prints
If we want to look stylish but occasionally deviate from the 'rules', then combining a Chanel-style jacket (self-made of course!) With a print underneath is definitely a nice idea. Who says that this can't look be chic and casual at the same time? Bouclé and tweeds, but also summer tweeds, are often very busy in terms of appearance. The fabrics are woven and there is always a beautiful mix of colors and sometimes even patterns. A blouse with a printed design underneath can easily come across as very 'busy' and a bit cheap. Fringes, edges and prints? Apart from that, the Chanel style is often characterized by a lot of fringes, beautifully finished trims and two or even four pockets stitched on the jacket. They should of course be the eye-catchers of your outfit. Taking all this into account, we would like to point out that a printed blouse, t-shirt or even pants, under a Chanel jacket, is fine if you observe the following rules:
Prints will never go out of style and occasionally combining with them may not be 'Paris' chic, but again not as 'not-done' as suggested in many style books and guides on Chanel couture and Parisian style. We love prints ... occasionally. |
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